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All in Lens Reviews
If there's one lens you need to buy for your Fuji mirrorless camera, it's this one. The Fuji 35mm 1.4 is tack sharp – yet dreamy and soft. The most unbelievable thing about this lens? The price.
Fuji cameras – lightweight, rolling-shutter prone bodies – can create some gorgeous video footage, but stabilization can be an absolute nightmare. Read on to find out exactly why the Fuji 18-55mm f/2.8-4 OIS lens gets our pick as the best Fuji video lens.
This long, fast telephoto prime is sometimes tricky to use – but the price is right, and the image quality is even better. Optically, the Canon 200mm f/2.8 L is a triumph that holds up perfectly well in 2018. But you should know that a 200mm prime is not for the faint of heart.
Canon's sensor technology may have lagged behind in recent years, but even their legacy glass remains top tier: the 35mm f/1.4 cleanly demonstrates why Canon is still top dog in the photography industry. This is the definitive "wedding" lens – but it's also the "travel" lens – but it's also the "landscape" lens – but it's also the "art" lens – but... get the picture?
This telephoto lens transforms your Fuji body into a top-tier system for portraits and much, much more. In terms of price, sharpness, bokeh rendering, and overall image quality, there might be no better telephoto option – native or otherwise – than the hefty chunk of metal and glass known as the Fujinon XF 90mm F2.
Never has a photography accessory divided the Fuji community quite so much. The TCL-X100 converts your Fuji X100-series camera lens to a 50mm equivalent, but how good is it really? Compare it to the digital tele-conversion and cropped files, and the results may surprise you.
The Canon 50mm f/1.2 L is big-league. It's one of those magic lenses that breaks all the rules. It's an uncomfortable truth, but this lens can and will make your photos look better. Read on to learn about the unique combination of bokeh quality, chromatic aberration, and sharpness that makes this lens the crowning jewel of Canon's 50mm line up.
The widest. The fastest. The sharpest. The Fuji XF 16mm f/1.4 WR is the versatile king of Fuji's prime line up, and it proved me wrong about modern lenses.
Designed specifically for mirrorless cameras, the Rokinon 12mm f/2 is a budget wide-angle lens – perfectly suited for street, landscape, night photography, and astrophotography – with comparable optics to the legendary Zeiss family.
The Helios 44-4 has distinct character: the acclaimed swirly bokeh, blooming highlights, and microcontrast for that 3D pop. Among the longest, fastest lenses for the money, it's an absolute steal – if you know how to use it.
